Gift Certificates. Original Cast. Film Genre. Your Account. Your Cart. The early nineties were the peak of my soundtrack enthusiasm. Though I also started watching a lot more movies then instead of the same ones over and over ; maybe it was a combination of things. Have collecting problems. The grandest adventure. The experience did not provide a profound new version of Khan. Instead, it was Khan ; abbreviated but amplified. One thing that The Motion Picture did not really have that much of — and that Khan supplies in bulk — is actual real emotion, which you might well expect, given that the picture culminates in the death of one of the main characters.
This brings together a final reel that is almost equal to the finales of the typical milestones for this type of scoring; Star Wars and The Empire Strikes Back.
Cue a soaring version of the Enterprise theme as Kirk runs through the ship, only to be held back as he sees Spock, on the verge of death from radiation poisoning. The most important incarnation of this theme was developed at the last minute by Horner. As executives and even Leonard Nimoy, who was the one who wanted out of the franchise and therefore his character's death pushed Meyer to film a scene of the dead Vulcan's coffin on the Genesis planet at the end of the picture, thus leaving the door open for his resurrection in the franchise, Horner was credited with making the scene an emotional powerhouse by offering a ponderous and beautiful string rendition of the Spock theme.
The final and arguably most engaging theme in Star Trek II represents maniacal Khan in his quest for revenge, and it is this material that seems to have inspired most of the composer's other similar works of the 's.
During the two major battle sequences and the escape from the Genesis explosion that ends the film, Horner unleashes a primordial and powerful sense of rhythmic inevitability from his orchestral ensemble that perfectly resembles the unrefined, torn edges to Khan's brilliance.
A relentless, slapping percussive rhythm is accompanied by a precursor of Horner's four-note motif of danger representing evil in general and heard best at the start of "Surprise Attack" that would follow him through decades of scoring.
French horns pound out the key, with mechanized thumps down a note, while wildly fluttering movements on strings and brass and even blasting flutes on occasion signal a theme of sorts over the top that is so blustery that it impressively mimics the villain's unpredictable thought process. The explosive energy generated by the orchestra during the action sequences of Star Trek II is magnificent, and, with the employment of menacing lower brass performances, parallels similar cues offered in Brainstorm.
The tapping and snorting of this rhythmic device including a generous amount of cymbal strikes and metallic clanging , doesn't cease until the beautiful explosion of the Genesis torpedo at the film's climax. Clicking percussive effects join single-minded piano strikes to create almost a medieval environment of battle that foreshadowed Horner's Klingon material for the following film.
No better a musical representation of Khan's single-minded character could be made than with this extremely focused environment of forceful movement. Horner pays a basic tribute to the previous Star Trek score by using a Blaster Beam effect well reconstituted by its original performer, who would reprise his performing role in the first four sequel scores to add power to some of his bass whole notes a technique also used by Goldsmith in these scenes, and especially those involving the Mutara Nebula near the end of the story.
Oddly, this effect can't be heard as well on album as in the film, where it serves as obvious backing for Horner's harsh brass tones, producing the more familiar "dooing" sounds with the resonance of the preceding score. It's hard to imagine how Horner could accomplish this overwhelmingly engaging sound with 90 musicians when you compare his score to something like Dennis McCarthy's Star Trek: Generations , which featured more players and accomplished nothing close to exhibiting the same power.
A charged performance by Horner's musicians is likely the reason for the disparity, overcoming the archival sound quality that does plague this score.
Genesis Project Get this album or track at:. Surprise Attack Get this album or track at:. Kirk's Explosive Reply Get this album or track at:. Inside Regula I Get this album or track at:. Brainwashed Get this album or track at:. Stream the best stories. Start Your Free Trial. Try Now.FACEBOOK PAGE lucbabobfilante.svizokagluricocoveswaytsunucuph.co FACEBOOK DISCUSSION GROUP lucbabobfilante.svizokagluricocoveswaytsunucuph.co