This Is It! The Ultimate Collection. Very Best of Joe Jackson. Colour Collection. Classic Joe Jackson. Collected [Universal]. Joe Jackson Look Sharp! Joe Jackson Greatest Hits. Joe Jackson This Is It!
All the mentioned albums are of course available as remastered editions, often with rare and bonus material, and this one sounds particularly fine today. Both were substantial hits worldwide and broke Joe in America. The remote broadcast technique was astounding and also unusually issued on three sides of vinyl. Jackson traded new wave rock for a catchy pop-jazz-salsa-dance hybrid, and "Steppin' Out" became a multi-format hit, earning airplay on album-oriented rock radio before spreading to the pop and adult contemporary charts, placing in the Top Ten all around and eventually earning Grammy nominations for Record of the Year and Best Pop Vocal Performance, Male.
With that stimulus, the album reached the Top Ten and went gold, spawning a second Top 20 single in "Breaking Us in Two. He had been asked to contribute a song to Mike's Murder, a film written and directed by James Bridges and starring Debra Winger. Jackson ended up writing a handful of songs and a few instrumental pieces that were released on a soundtrack album in September. Unfortunately, due to a dispute between Bridges and the studio that had financed the film, the movie did not open until March , by which time it had a score by John Barry and only a little of Jackson's music remaining.
The film was a bust at the box office, but the orphaned soundtrack album managed to get into the Top and spawned a chart single in the Jackson composition "Memphis," while "Breakdown" earned a Grammy nomination for Best Pop Instrumental Performance. Audiences were invited to attend, but instructed to hold their applause as the performances were cut direct to two-track tape. The resulting album, Big World, released in March , had a one-hour running time, making it an ideal length for the new CD format, though it had to be pressed on two LPs with the fourth side left blank.
Jackson undertook another extensive tour lasting eight months, and the album spent six months in the charts, but only peaked in the Top In the winter of , Jackson was commissioned to write a minute score for a Japanese film, Shijin No Ie House of the Poet , and the orchestral piece was recorded with the Tokyo Symphony Orchestra.
He adapted it into "Symphony in One Movement" and added a few other instrumental pieces to create his next album, 's Will Power, his first disc to reflect his classical background. Jackson's increasing desire to include classical elements in his popular work and to issue "serious" compositions tended to put him in a no man's land, where rock critics for the most part preferred that he stick to pop-based music, while classical critics simply ignored him.
While staying off the road, Jackson had two albums released in His next LP, released in April , was Blaze of Glory, another modest seller that peaked only in the Top despite radio play for the single "Nineteen Forever.
Jackson wrote his third movie score for 's Queens Logic; no soundtrack album was issued. Here, he expressed some of his frustration with the record business in the appropriately catchy, '60s-styled "Hit Single," while the socially conscious "Obvious Song" and a percussion-filled cover of Fleetwood Mac's "Oh Well" attracted radio attention. Another world tour stretched from May to September, after which Jackson was not heard from on record for three years.
In the interim, he wrote music for two movies, the interactive film I'm Your Man and the feature Three of Hearts , neither of which produced soundtrack albums featuring his music.
Jackson next left Virgin and signed to Sony Classical, a label more accepting of his musical ambitions. The album reached number three in Billboard's Classical Crossover chart, and a tour ran from November to April Jackson worked on two projects in the late '90s, both of which appeared in October Sony Classical issued his Symphony No. And publishers Public Affairs came out with Jackson's book, A Cure for Gravity: A Musical Pilgrimage, in which he wrote about his love of music and recounted his life from his birth up to the point of his emergence as a public figure in the late '70s.
We believe the item to be in stock, but that might not necessarily be the case. If you need to know before ordering, contact us via BanquetRecords on Twitter or send us an email shop banquetrecords. In June , Sony Classical issued Summer in the City: Live in New York, an album drawn from an August concert that featured him playing piano and singing, backed only by Maby and drummer Gary Burke, performing some of his old songs along with covers of tunes by the Lovin' Spoonful, Duke Ellington, and the Beatles.
Four months later came Night and Day II, a new set of songs in the spirit of his most popular recording. The album was reissued by Koch in They next embarked on a world tour running through September that resulted in the live album Afterlife, issued in March Meanwhile, his recording of "Steppin' Out" was being used in a television commercial for Lincoln Mercury automobiles, and he scored the film The Greatest Game Ever Played for a release. Though a long-avowed fan of the legendary jazz pianist and bandleader, Jackson didn't want his tribute to follow the standard reverent approach, and instead he filtered these timeless compositions through various unexpected rhythms, arrangements, and musical pairings, including a duet with punk icon Iggy Pop on "It Don't Mean a Thing If It Ain't Got That Swing.
After the final show of the tour, in Boise, Idaho, Jackson and his accompanists immediately entered Boise's Tonic Room Recording Studio, wanting to begin work on their next album while they were still sharp from regular gigging.
The resulting album, Fool, was released in January Sign In. Joe Jackson Trio. Top Songs See All. Live Music Europe Similar Artists See All. Gary Burke. Joe Jackson Band. Graham Maby. Joe Jackson. The Rumour.Dave Houghton: Electric and acoustic drums, loops, vocals Joe Jackson: Piano, synthesizer, melodica, shaker, vocals Graham Maby: Bass, vocals Produced by Joe Jackson Live recording by George Cowan Mixed by Blackpete at Ballsaal Studios, Berlin Digital editing: Tilmann Ilse Assistant: Martin Schattenberg Mastered by Greg Calbi at Sterling Sound, New York .